Slaves produced function tracks, that they sang while laboring on the fields. As they got more Christianized the songs evolved in to something more that presented a further Biblical context while preserving the information of the harshness of living and labor and oppression below their White owners. Gospel music culture begun to evolve a lot more when slaves started to get in congregations in tents following function to know the gospel being preached. There they discovered the old traditional Christian hymns that they'd later impress with the audio practices they brought with them from Africa. Improvisations of previous offer basic hymns resulted in many different tracks and new agreements for the hymns.

A large part of gospel music engages the call and reaction approach, which really is a approach involving the soloist and the congregation. This can be a strong impact of African music which was carried over to America by the slaves. The soloist was allowed to improvise with the text and the song of the tune throughout the decision and answer technique big meech son. 

Gospel music began with Thomas A. Dorsey, regarded as the Dad of Gospel Music who constructed such gospel landmarks as "There Will Be Peace in the Valley." Dorsey was a consummate guitarist who frequently performed the blues and performed with Bessie Jones and Mum Rainey. Attending the gatherings of the National Baptist Tradition led him to improve his music tastes and he started publishing gospel tunes, among them "If You See My Savior" ;.

Religious tunes obtained little significance ahead of the civil war. Following the war ended new fascination with gospel tracks flourished and the music slowly started to achieve acceptance outside the slave circles. The abolishment of the slavery helped paved just how for the popularity of gospel music tradition since by then slaves were allowed to sing their gospel music freely.