Encouraged by major city jazz and Mississippi Delta-style blues, gospel and worship music took on a whole new feel. The incorporation of fall guitar, the harmonica, the 'call and response' model, and the gradual and experienced long songs has used the convention of gospel together.

In the mid-1900's, gospel music was used as a calm catalyst for the civil rights movement. Much loved hymns like, 'We Shall Over come,' 'That Gentle of Mine,' and 'Oh Flexibility,' turned a built-in place of those rallies. In the hymn, 'Marching 'Round Selma,' set to the song of Christian beloved, 'Joshua Struggled the Fight of Jericho,' the passage, 'For Segregation Wall should fall, look at people answering, the Flexibility Competitors call samuel joseph mozes.

Gospel music has evolved to the revivals that many of us see these days. Words explaining the battle and gloom of more repressive times are now actually fading away. Influenced preachers, artists, and performers carry the positive word of God in to some of the very significant and many influential defeats today. Metropolitan contemporary gospel has kept the spirit alive, all while awareness the spirits of Marvin Gaye and Lewis Charles.

Mixing an intricate mixture of RW, soul, rap and punk in to influenced music that provides fans inspiration, cool vibes, and a solid information, downtown gospel has provided us such huge names as CeCe Winans, Kirk Franklin, Tremaine Hawkins, and Yolanda Adams, to mention merely a few. Though elements of gospel can be found in nearly every hip-hop/RT beat and phrases, these musicians get back to the basic principles and provides people a modern undertake ancestral tradition.